The capture is only the starting point.
A full-time team of editors, poring over every frame of every film and every photo of every gallery — this is where good becomes CJ.
Full-time editors
Video and photo specialists — in-house, not outsourced.
Hours per wedding film
Color, sound and rhythm, cut by hand — every single film.
Days per gallery
Every photo adjusted for color and light before you see it.
Of frames reviewed
Nothing ships until it wows — that’s the whole standard.
Before the edit. After the artistry.
Same frame, same second — the difference is the desk it sat on. Drag to see it.
What 40–50 hours sounds and feels like.
A raw ceremony camera next to the finished scene — color graded, sound designed, and cut to breathe.
Straight from the card
One angle, room sound, no grade — honest, and not what you keep forever.
The CJ cut
Four angles woven together, the band lifted, the vows clear, the color like film.
From card to keepsake, in four movements.
The cull
Thousands of frames from multiple shooters, narrowed to the ones that matter — every expression checked, every moment accounted for.
Color & light
Every photo and every frame of film is adjusted by hand — skin tones true, whites clean, the hall exactly as warm as it felt.
The cut
Films are built like films — pacing, music, the badeken breathing before the dancing erupts. Sneak peeks the next morning; the full edit takes the weeks it deserves.
Photoshop artistry
On select collections: blemishes vanish, exit signs disappear, a missing relative quietly joins the family portrait. If you can imagine it, our editors can do it.
Names you’ll see in the credits.
Igor leads video — every frame of every film crosses his screen. Katya leads photo — every gallery is color-graded by her team’s hands. Behind them, a full room of specialists who do nothing but make your simcha look the way it felt.
There are no do-overs. There is editing.